These will predominantly be about Tamil movies and where ever required other languages are also mocked at. The technology and men have changed in the movie industry over last decade. The theme or cultural shifts have also been seen. Despite attempts to make the movie look different and mixed with a new feel, our movie still get entangled in the inescapable Quagmire.
Movie should always begin with the idol of a god and some old lady (preferably the mom of the producer), who is about to die any minute will shower flowers on the idol with extraordinary difficulty.
The hero worship has to begin right from the title card. This had been a fever that was started by rajni and aggravated by simbhu.
The Fact that “the movie should be different” is misunderstood by the directors. The first scene of many new movies has no relation to what the movie is all about.(Eg. Manmadan’s intro scene and several balakrishna’s movie. I still remember one funny first scene of a telugu movie, where Balakrishna attired in Reid and tailor suit rides a white horse all the way into an uninhabited desert and saves the skimplily clad make-shift heroine or a vamp from the villain who had been waiting all the while to rape the lady.)
A villain never wins and it’s a universal rule. Villain will always be well equipped with weapons, but our hero is given a matchless power to grab all the bombs and bullets with his hands and throw them back.
Villain gets hold of the gal and takes her away. He could have raped her right then and I guess it would harldy take him a few minutes to do so. But he will not do it. He will carry her off to a isolated bungalow in his horse-cart. Only god knows how the hero gets to know the place of bungalow. When the villain just strips the heroine’s sareee, the hero will break open the glass of the room in the fourth floor in his motorcycle(the theater gives him a standing ovation) and beats the villain up. In the next scene, he will land up doing everything possible with the heroine he saved, of which I bet the villain would not have done even 10 %.
Villain will get 10 odd opportunities to shoot the hero and viceversa. Both of them will never do it as the audience is not prepared for a 10 minute movie.
When Vijayakath is the hero, villain is always a pakistaani and if not he will atleast be remotely connected to Kashmir issue.
When Manirathnam is the director, people are nocturnal …. The hero and villain never meet in day light.
When Shankar is the director and there is a scene of hero entering a rest room … He will make sure that the rest room built is of size 2000 Sq.Ft and it is fitted with plush 5 Grand Closets and furnished with teak wood and Belgium glass with shave finish. All this will cost around 40 Lakhs and if the movie flops, director will have to use only the public toilet as his restroom.
When TR is the man, even the most insignificant dialogues need to be rhymed. He needs to madly shake his head when he speaks them with his hair flowing till his mouth. (The funda is audience should not be frightened looking at his face).
When there is train / bus is involved, the TTR / Comductor is a comedian. They will definitely get beaten or bakra-ed by the hero.
When ever there is a drinking session, the topic of discussion is always love failure of the hero. All the friends sitting around would be pulping while our hero is busy gulping.
Hero will have a mother or sister who will be killed or raped by the villain. This is the element of revenge. If both of them are missing, then there will be a close childhood friend who gets killed 30 minutes before the movie ends.
Atleast one of the Hero's family member will have to be sacrificed for the hero's love. After all, atleast one have to die from the hero's side for every 100 deaths from the villain's side(an essence of fairness).
If Sarath kumar is the hero, then there should at least be a few scenes he removes his shirt and do pushups … He lifts the heroines ….. Removes his shirt to intimidate the poor villain (all he has is a beer-belly).
If Sathyaraj is the hero, u don’t really have to watch the movie…. It will be just as funny as a 160 minute lollu sabha …. This is the only place in the world, where Screenplay and Editing synchronizes.
If Goundamani is there, then there have to be senthil or someone as funny and peculiar as him who is waiting there to get his ass kicked.
Second heroine is brought in not because the storyline needs her, its only because the actual heroine is not keen on exposing.
If the hero is a college student, then all the friends will always be the same. Be it 1997 or 2005, its still daamu and vivek who are the college going kids.
If hero is a professor, then heroine is his student and if he is a watchman, she stays in the apartment where he is in Duty.
Heroine will be rich and she can readily fall in love with any autowalla, taxi driver,peon, plumber and what not ?? She will never have brains and all the hero needs to do it to catch hold of her when is falling from the fifth floor or beat up some heavy looking rowdies in front of her.
Again, rowdies can never be lean. For them to look menacing, they need to be heavy. But even an unbelievable thin guy like Danush will make them bleed. Poor men.
Hero need not be handsome or good looking. All he needs to have is some peculiar looks so that he stands out on screen. If u don’t believe in this, please go and watch some kannada movies.
Horse is the sex symbol in Indian film industry. When ever there is some erotic mood switches, there will be a horse in the background and the hero and heroine land up pressing and squeezing the horse for no reasons. Again, in those not-showable bedroom scenes, when the hero is about to remove the heroine’s saree, the camera will shift its angle and show some dumb picture of some horses running. When the camera regains its position back, the heroine will be crying(god knows why ?)
Politicians are evil men and so are policemen. When police is nice, it’s the hero himself or else, this nice policeman gets killed early in the movie by the notorious villain.
Black colored syntex cans should be used when there is some liquor brewing scene and guy who is brewing should be rustically dressed.
Hero is always a superhuman and villain will be a most stupid comedian.Hero will rarely be armed, but still would escape from any number of henchmen with deadly weapons.
There can be no fight sequence without breaking a dozen of glasses.
Hero can talk with animals and can get the help of a monkey to him get out of the jail.
The climax will always be preceeded by a dance by the hero(preferably with a vamp).
The hero will confront the villian with an extra scar or beard. The villian can never find this out, when even the stupidest of the audience can get a feel of what is going on.
For every car chase, there is a 100 % possiblity of breaking all of them except the hero's car. Sometimes even the heros car will be torn apart, but he will emerge out of it without even a smallest cut.
The hero can run non-stop from madras to pondicherry(140 Kms) and still sing a duet sequence with ounces of energy.
Every horrible villian or an action hero will have a damn funny flashback.
Every dual hero subjects will have a flashback where the heros got seperated in a train journey(The train left when one of the twins got down from it). So far, I have a never seen(have not even heard about) a twin looking like photocopies(??)
Hero can run across the villains' henchmen armed with AK-47(The only machine gun code known to tamil movie viewers). All of them will shoot simultanesously. But the hero can run in such a way that the bullets fall an inch behind his leg.
Not every henchman will confront the hero together. They will give him a concession. They will stand in a line and attack him only when the the guy who went last is down on the ground.
The Action sequences in any action movie will have only one reason : Love or revenge.
The terrorist will always be a pakistani(accoridng to india, its the only country where terrorists reside). He would have no other job and will come all the way to chennai and rape the hero's sister/girl friend. Nothing can beat the repercussions .... The hero will go to kashmir to kill him and will talk patriotic punch-lines when the real intentions happens to be different.
- when the flashback is set to begin, who ever tells it has to look above with a sudden lull in the music level. The Flash back should have a song , preferably in a village fest atmosphere.
- village panchayaths cannot run without a brass cup(we call it sombu), banyan tree and some useless old men.
- If the story is village based, hero will be the head of the village. The hero will be repescted as an epitome of perfection. Villain will screw his image and the story will be fabricated around how the hero gains the respect back.
- Every village movie will introduce some brilliant new concept like ....
More to come .... Watch out for this space.
